
윤정원, 책 읽어주는 새, 162x130cm, Acrylic on canvas, 2019

윤정원, 마음의 노래, 162x130cm, Acrylic on canvas, 2020

윤정원, 책 읽어주는 새, 17x65cm, Acrylic on aluminum, 2020

윤정원, 책 읽어주는 새, 162x130cm, Acrylic on canvas, 2019

이윤희, Fount, porcelain, 40x40x58cm, 2016

이윤희, Noon-porcelain, 26x25x28cm, 2016

이윤희, Catcher-porcelain, 25x45x45cm, 2016

이윤희, The Castle Of The Spider's Web, 34x34x10cm, 2015

이윤희, So Nyeo, porcelain, 22x22x30cm, 2016

이윤희, La divina commedia, porcelain, installation view

이윤희, La divina commedia, porcelain, 29x33x15cm, 2016

이윤희, pilgrim, porcelain, 23x25x43cm, 2016
멜 보흐너 | Mel Bochner
Mel Bochner [born 1940] is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. Emerging at a time when the painting was increasingly discussed as outmoded, Bochner became part of a new generation of artists which also included Eva Hesse, Donald Judd, and Robert Smithson - artists who, like Bochner, were looking at ways of breaking with Abstract Expressionism and traditional compositional devices. His pioneering introduction of the use of language in the visual led Harvard University art historian Benjamin Buchloh to describe his 1966 Working Drawings as ‘probably the first truly conceptual exhibition.'
Bochner came of age during the second half of the 1960s, a moment of radical change both in society at large as well as in art. While painting slowly lost its preeminent position in modern art, language moved from talking about art to becoming part of the art itself. Bochner has consistently probed the conventions of both painting and of language, the way we construct and understand them, and the way they relate to one another to make us more attentive to the unspoken codes that underpin our engagement with the world.
- Mel Bochner: If The Color Changes


Mel Bochner
Blah, Blah, Blah
Monoprint in oil with collage and embossment Paper Dimensions
76.2x57.2cm
2019
Click on thumbnail to view full image.
작품을 클릭하면 전체화면으로 보입니다.